Thank you to Prof. Pruss and to all who came to our successful and thought-provoking event on the 7th. Over 100 people showed up! Some photos from the event are below, as well as a voice-recording of the lecture.
Click here for a recording of the lecture.
This Friday February 7th at 4:30pm in McCormick 101, Professor Alexander Pruss, a philosopher at Baylor, will be visiting Princeton’s campus to givea public talk about Christian Sexual Ethics and its philosophical and theological foundations. After the talk, a group of Anscombe members and Christian student leaders will meet with him for dinner. We’re really looking forward to the talk and dinner because Professor Pruss is one of the most brilliant Christian philosophers today.
We’ve invited him to speak about sexual ethics because he’s recently published a book One Body on the topic. Professor Robert George called this book “quite simply the best work on Christian sexual ethics that I have seen,” and we recommend this review on Public Discourse to get a sense of it.
(Pruss’ lecture was originally scheduled for December but due to inclement weather and flight cancellations we had to reschedule for this week)
Please check out the Facebook event for the talk itself! Also have a look at Professor Pruss’ blog, which he updates almost daily with interesting philosophical posts.
Natalie
Portman stars as a ballet dancer in one of the biggest movies of 2010 – the
critically and highly acclaimed film Black Swan. Billed as a
psychosexual thriller, the movie combines reality and fantasy to create a very
artistic piece of work. Especially praised for their performances were lead
actress Portman, who plays the character of Nina, and supporting actress Mila
Kunis, who plays Lily, a rival dancer and Nina’s alter ego.
While
the film definitely had its high points, it was very disappointing to see the
subject matter portrayed as radically hyper-sexualized. Lily’s seduction and
eroticism are constantly juxtaposed against Nina’s more reserved demeanor,
which the ballet director constantly tells Nina to abandon. Throughout the film
Nina is told to be more sexual, more sensuous, and more seductive. Lily and
Nina go out to a bar where they pick up two guys, and Nina returns home
(blasted drunk) boasting to her mother that she slept with them. In one scene,
Nina and the director are in his house, where he asks if she is a virgin. She
insists that she isn’t, to which the director replies, “Well then there’s
nothing to be ashamed of.”
I
am not ashamed to admit that on at least four separate occasions, I closed my
eyes in the theatre because the sexual nature of the film was obscenely
graphic. Nina is shown masturbating multiple times, and in one particularly
disturbing scene she engages in a sexual act with Lily. It speaks volumes about
the callous attitude our culture has towards sex for such acts to be shown on
screen.
The
shocking and the sensational have increasingly become a staple of the media,
but this film unabashedly overstepped even existing boundaries. While I felt
that the story was in general well told and the acting was in general good, it
became very difficult to enjoy the film given the perverse attitudes it took
towards sex and sexuality. It is disappointing that Kunis and Portman (no doubt
actresses capable of acting well) must receive their first Golden Globe (and,
probably Oscar) nominations for such a disappointing film.
Apparently, a conservative Yale alum, Nathan Harden ’09, is writing a book about sex on Yale’s campus. He’s blogged for National Review in the past, and the book features a foreword by Chris Buckley (son of the late William F Buckley, Jr.)
In an effort to catch up on some summer reading (and to fill gaps in my own reading), I started Aldous Huxley’s Brave New World a few days ago. I was surprised to find just how pro-family the book is, particularly as the commodification of sex is presented as an especially dystopian aspect of the “brave new world” that Huxley describes. 
